Danger is looking for a fairy tale
Among the tasks of the modern world, an important role is played by identifying risks for humankind and developing strategies for their minimization and minimizing the dangers. Man must be ready for any turn of fate, nothing can sneak up suddenly and frighten anyone. The condition of balanced consumption should move smoothly from one turn to another, seams of the assemblies should be invisible and disguised.
Around the monolithic landscape, the forest extends – this is the periphery of discourse, the outskirts of desire. The silent rustle of a reed does not deserve its own name and a separate appeal. He lives in the background, whirlwinds burst among his stems, the dragons are losing out and crazy people screaming.
The forest stands out only for itself. There are no traces or figures themselves. The distance itself from the branch to the branch, the intervals between the reeds is accentuated. A jump from tree to tree in this color becomes a test.
In the artist’s focus – a situation where one step does not guarantee the next. The very ability of the eye to look forward one by one breaks through the reed. Perhaps another fairy tale would give the optician, in which the danger resides completely and leads to the initiation of the hero, rather than becoming a risk statistic and preventing it.